ShopDreamUp AI ArtDreamUp
Deviation Actions
Crafting a universe is not easy. The bigger it gets the more variables there are to juggle. The more popular it gets the harder it becomes to refine.
My Strange Galaxy began as a horror story that is no longer a story of its canon. Its spooky "Silent Women" became cute girls loved for their prattle. Ironically, I originally intended to tell the tale of one world but it became a world of many worlds. The universe itself became more than a backdrop. Alas, my caterpillar became a butterfly.
I wrote a horror story and wanted to do more with what were essentially its science fiction "Silent Hill Nurses." The comely monsters were normal women corrupted by the spirit of a Living Darkness. The "Silent Women" were referred to as the "Concubines of the Great Shadow" because they were its kept women. The original sequel was an action story rather than horror. My "Silent Women" were boring as action baddies so I tried again, this time giving them dialog. No longer "Silent" they were merely "the Concubines." I made them "clones" when I realized most women are too small to be suitable foot soldiers. Besides: I have always found identical twins, triplets and quadruplets sexy. The idea of people being mass-produced to serve an agenda not their own is so poignant.
Focus makes energy stronger. Sunlight may give you a burn after awhile but sunlight focused by a magnifying lens can burn right into you! I focused my imagination by crafting a framework for any and every story I would care to write. The ordinary, not the extraordinary, sets the standard of reality... so I established the ordinary for my fictional reality. I was mindful to avoid anything that would overshadow everything else: such as an epic war or apocalyptic threat. There would be wars and crises but they would be extraordinary. I decided beforehand that no character would be bigger than the universe itself: No one would determine the fate of everyone else. No action would be the resolution of the grand scheme of things.
I was mindful of flow and balance as I established the physics and natural law of my fictional reality. Every action must have an equal and opposite reaction. A strength must be its own weakness. That all said, I did not want my universe boring so I kept it clean of reality's dysfunctions: There is no language barrier. Weapons of mass-destruction are obsolete. Disease is unheard of. There is always a way.
Strange Galaxy is a science fiction fantasy universe; which means every other genre has a place within it. Magic and technology would be together but I did not one being "better" than the other nor did I want them indistinguishable. Magically advanced would be technologically primitive. Technologically advanced would be magically primitive. To be a jack of both would mean not a master of either. Aliens and humans would be together and I wanted them equals but not the same. Humans would be small and weak but innovative and prolific. The alien "great races" would be big and uncanny but primal and few. Technology would be unrivaled in its powers of destruction and its machines would be stronger and faster than any creature. Magic would be natural thus prove inexhaustible and unmatched in its powers of warding, healing and divination.
I created a universe. It is not bound to any particular story or cast of characters. Like ourselves in reality, the inhabitants of Strange Galaxy are fish in a pond. Sometimes they are eaten by bigger fish. Sometimes they are the bigger fish. Alas, a pond is the world to the fish who live in it.
My Strange Galaxy began as a horror story that is no longer a story of its canon. Its spooky "Silent Women" became cute girls loved for their prattle. Ironically, I originally intended to tell the tale of one world but it became a world of many worlds. The universe itself became more than a backdrop. Alas, my caterpillar became a butterfly.
I wrote a horror story and wanted to do more with what were essentially its science fiction "Silent Hill Nurses." The comely monsters were normal women corrupted by the spirit of a Living Darkness. The "Silent Women" were referred to as the "Concubines of the Great Shadow" because they were its kept women. The original sequel was an action story rather than horror. My "Silent Women" were boring as action baddies so I tried again, this time giving them dialog. No longer "Silent" they were merely "the Concubines." I made them "clones" when I realized most women are too small to be suitable foot soldiers. Besides: I have always found identical twins, triplets and quadruplets sexy. The idea of people being mass-produced to serve an agenda not their own is so poignant.
Focus makes energy stronger. Sunlight may give you a burn after awhile but sunlight focused by a magnifying lens can burn right into you! I focused my imagination by crafting a framework for any and every story I would care to write. The ordinary, not the extraordinary, sets the standard of reality... so I established the ordinary for my fictional reality. I was mindful to avoid anything that would overshadow everything else: such as an epic war or apocalyptic threat. There would be wars and crises but they would be extraordinary. I decided beforehand that no character would be bigger than the universe itself: No one would determine the fate of everyone else. No action would be the resolution of the grand scheme of things.
I was mindful of flow and balance as I established the physics and natural law of my fictional reality. Every action must have an equal and opposite reaction. A strength must be its own weakness. That all said, I did not want my universe boring so I kept it clean of reality's dysfunctions: There is no language barrier. Weapons of mass-destruction are obsolete. Disease is unheard of. There is always a way.
Strange Galaxy is a science fiction fantasy universe; which means every other genre has a place within it. Magic and technology would be together but I did not one being "better" than the other nor did I want them indistinguishable. Magically advanced would be technologically primitive. Technologically advanced would be magically primitive. To be a jack of both would mean not a master of either. Aliens and humans would be together and I wanted them equals but not the same. Humans would be small and weak but innovative and prolific. The alien "great races" would be big and uncanny but primal and few. Technology would be unrivaled in its powers of destruction and its machines would be stronger and faster than any creature. Magic would be natural thus prove inexhaustible and unmatched in its powers of warding, healing and divination.
I created a universe. It is not bound to any particular story or cast of characters. Like ourselves in reality, the inhabitants of Strange Galaxy are fish in a pond. Sometimes they are eaten by bigger fish. Sometimes they are the bigger fish. Alas, a pond is the world to the fish who live in it.
Early Access:
41 Subscribers
New works created this month featuring all the Hbear hallmarks: Femdom, F/m Bondage CFNM, Male Bondage.
PLEASE NOTE: If you are subscribing to another of my Subscription Tiers, DeviantArt only allow you to subscribe to one Tier and will cancel the other subscription.
$8/month
Fifteen Universes
I am a fan of Star Trek, Star Wars, Dune, Mass Effect, The Lord of the Rings, Conan, The Cthulhu Mythos, the Barsoom series, Classical Mythology and Twin Peaks. I am not just a fan of weird fiction, however. I write it. I illustrate its covers and create its title fonts. I prefer imaginary universes to the real one, not only as a writer, but as a fan. If our reality was fiction, I would not read its books or comic books or watch its shows or movies or play its tabletop or video games. I would not buy its merchandise. I would dismiss it entirely as a boring mess of uninspiring nonsense rife with cynicism. Star Trek pretends to be more intellectual than it really is. It touts it politics as progressive and vilifies or mocks anyone who disagrees. Star Wars is the hypocrisy of its creator. It vilifies capitalism with merchandising in mind. It decries the very system that made George Lucas successful. Dune is an epic about futility, so what is the point of it even being written? Mass
Weirdly Interesting
Since childhood, I daydream weirdness. I prefer the strange to the ordinary. I always have. I always will. I do appreciate realism, however; especially when it makes weirdness meaningful. I love the archaic of fantasy and the futuristic of science fiction. I love the magic and technology, whether they are ridiculous or not… so long as I can make believe they are real. I write what I imagine. I illustrate it. My daydreams have evolved into fiction and the fiction into books. I now share what I imagine for all the world to see. By writing and illustrating fiction I provide daydreams. That is what reading fiction is, to be clear: daydreaming what is provided. I am mindful of this. I bother to keep some things ambiguous, so the reader can customize what they imagine to their own preferences. Our favorite fantasies are sexual. The sexiness may not be obvious to other people. For example: The sexiest thing to me is clueless guards being stealthily and easily eliminated. These victims may
Making the Cover for WSG
I write books and illustrate the covers. I create the title fonts. The Wayward School for Girls is a surreal horror story as an action-adventure. The protagonists are little girls. The antagonists are witches, monsters, spooks, cyborgs and raving lunatics… and a cannibalistic gang of little boys. The foot soldiers of villainy are droves of brainwashed little girls. The cover is purple because my favorite color is purple… and a purple sky is a theme in the story. The font was designed to be like that of retro science fiction, because the plot is science fiction, in a way. The letters are pink because the protagonists are girls… and it looks good with the purple. The illustration is the two heroines holding hands. They are in the uniform of the Wayward Sentry Girls, the foot soldiers of villainy. The figures are faceless because there is such a moment in the story. I never finished the illustration… because I loved how it looked as it was. This is why the feet were never drawn. The
Deadly Little Heroines
I recently finished writing a novel about a heroic adventure. The heroes are little girls. They kill people. They kill a lot of people. The story is a survival horror. The baddies are witches, monsters, cyborgs and lunatics. My specialty as a writer is the foot soldiers of villainy archetype. If the main villain is a mastermind, he, she or it should have an endless supply of these characters. What should his lowliest of goons be? As foot soldiers of the villain, the nameless baddies have an agenda that is not their own. The villainy they serve is beyond them. They are expendable to it. They are the proletariat and their bosses the bourgeoisie. As an aspect of fiction, the foot soldiers of villainy set the standard of ordinary by which heroes are measured. If we want to know how good the heroic little girls are compared to ordinary little girls, what should the nameless baddies be? The little heroines kill witches, monsters, cyborgs and lunatics… but none of these set a standard of
© 2015 - 2024 yellowplasma
Comments6
Join the community to add your comment. Already a deviant? Log In
So often true that things grow in the telling, till you can't even see the spot you began from.